While I enjoyed the "unreal" presentation of the original "Oak Tree Canopy", there were two items that continually gnawed at me. One was that the midtones were just too MIDTONED! So I applied another curve to the image to raise the mid and upper tones a bit on the scale. The second bother was that the image looked too "squatty." It simply looked compressed. So I elongated the image with the transform tool in PS and I like the aspect ratio much better now. Since I make no bones about manipulating images, this image is certainly no attempt at representing "reality." I will address the reality of photography off and on in this blog, but as you may have guessed, the camera is certainly not a truth-teller. I hope you enjoy the discussion of the revisit and have a great day.
In the field I try my best to just respond to interesting light that catches my eye. Sometimes it may be the brilliant color that is being revealed while at other times it may be textures and the play of the light on the subject. In this particular case, I believe it was both, but my first interpretation led to a black and white presentation and minimizing the impact of "color" in the image.
Technically, this is a bit different in that it is a vertical panorama of two images taken with the 90mm tilt/shift lens on the Canon 5D MarkII. The tilt/shift permits me to simply shift the lens from top to bottom to increase the field of view and minimize field distortions as a result of changing the angle of the camera. This was also my first real outing with the 5DMKII and I must say it performed very well.
I do encourage you to click on the image to see a larger presentation. Viewing the image on a full screen, it certainly strikes me as something "unreal", but yet this interpretation does exactly what I want it to do in presenting the texture of the complex canopy of branches and hanging moss with the dappled light of mid-morning. To contrast this presentation, I hope to soon be posting a color interpretation so that we can perhaps compare the "real" and "unreal" interpretations afforded by the same image.
I do love the old oaks of the south with their hanging moss scattering light amongst their branches. To me the oaks really shine with the sun providing a mostly backlit situation, which can be technically challenging from a dynamic range standpoint. There are other images still "stewing" in the Light Room "pot" so please check back for more presentations and interpretations and a discussion of the approaches to each individual image.