Art Commentary, Personal Jeff Ball Art Commentary, Personal Jeff Ball

What to do?

You may or may not know that my professional career has been in pharmaceutical sales.  For 23 years I have worked for sanofi-aventis and legacy companies Aventis, Hoechst Marion Roussel, Marion-Merrell-Dow, and Marion Laboratories.  On Monday I was notified that my services were no longer needed as part of the most recent downsize of the company.  Over 750 reps received that information that day and I pray for their futures. 

The pharmaceutical industry in the U.S. is largely in decline with only small glimmers of hope in the biotech arena.  Fewer product approvals every year and big revenue products coming off of patent only foretell more downsizing of the industry in the future. 

So now...what to do?  That is what I spend my every waking moment discerning.  I am not discounting much of anything at the present time.  Everything from teaching to financial services to day-trading to healthcare to law school are all in play.  I ask for your prayers as I and my family go through the process.  In the meantime, this website will largely serve as a place of comfort.  Working and posting new images are the most safisying activies I engage in and I hope to be able to continue to do so here with some consistency.  This refuge will serve as a break from the pressures of career search and job hunting.  Thanks so much for your involvement with this website and your prayers.  Who knows, maybe I will become a full-time photographer!  Take care and until next time.   

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Camera Gear Jeff Ball Camera Gear Jeff Ball

iPhone camera fun

It is nice to always have a camera on you nowadays.  The images from the camera phones are great ways to share images with friends and family via Facebook and Blogs.  What has been interesting are the iPhone apps and what they can do to enhance the usability of the in-phone camera.  I have the iPhone 3G and the camera is 2 megapixel with a slightly larger than pinhole camera lens.  The camera works pretty well in brightly lit scenes.  I have been experimenting with the a couple of the panoramic construction apps. 

The first was PanoLab Pro ($2.99).  This app attempts to make a pano out of already captured images.  It does a nice job, but I found the interface wanting and slow and the construction of the panos to fall short most of the time. 

I then found Pano ($2.99) by Debacle Software.  What I like about this software is that it works live with your camera capture.  What this means is that you load the app and it presents to you the live camera view on screen.  You take the first frame of the pano and then the next view of the live screen has the first frame at a slightly reduced opacity so that you can align in real-time the second frame of the pano.  This really makes for well aligned panos and maximizes your frame capture. You can work either in landscape or portrait mode, but not both at the same time.  So you can construct a pano, but not a mosaic. 

Here is one of my first experiments with the program from my living room.  This is straight out of the camera.  It is hard to believe this was captured and constructed within a cell phone!  Just a few short years ago Photoshop had a hard time with this or couldn't even do it automatically.  We were using complicated manual alignment programs like PanoTools with very clunky interfaces to achieve good landscape panoramas. 

The next example is further complicated by the very dark scene, but the pano came together pretty nicely.  I would never have thought of attempting a panoramic image at a rock concert, but it worked pretty well.  I had to take 3 stabs at it to capture the lighting just right as the scene would change rather quickly from capture to capture.  I believe this is a 3 frame capture and it was all accomplished while in the concert, a total of about 3 minutes.  Again, straight out of the camera. 

 

Now here is a panoramic that proved to be too challenging for PanoLab Pro. 

I subsequently brought all of the images into Photoshop and the automated merge function pieced the pano together nicely. 

Pano Lab Pro will only work with already captured images.  Pano will work with the images while you capture them.  I find Pano to be the better alternative for in-camera processing.  They both can do some very nice things for images that are destined for Facebook or blogs. 

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Art Commentary Jeff Ball Art Commentary Jeff Ball

Cutting Room Floor

Images make the cutting room floor for many reasons.  While constructing this website I revisited many of my images from the past 5 years.  One in particular has haunted me, this dramatic sunset from the Mittens in Monument Valley, UT.  It was during the Natalie and Alain Briot Navajoland workshop on March 14, 2004.  The moment was one I will never forget as it was host to the most dramatic sunset I have witnessed to date.  I had been working on the Mittens Panoramic composition, which was 180 degrees from the sunset.  Moments after the light in the east had faded on my composition the sun decided to step it up a notch to this incredible display of intense light.  That is what I remember about it the most...the INTENSITY.  You could almost feel the heat of the moment.  It was very invigorating.  In my hands was my relatively new Canon 10D.  I was still learning the ins and outs of the system, but that isn't what ruined the technical execution of this image.  It was a simple matter of violating the 1/focal length rule for exposure times.  My focal length on this composition was 40mm and my shutter time was 1/10 of a second.  Too long to be hand held and there is a bit of softness on the image to ruin a high quality print.  I also left the ISO to 100 which could have been increased dramatically to shorten the shutter speed.  But it all seemed to happen so quickly, which is why we really need to be well versed in all of our camera controls.  Another problem I had with this image is that I really struggled with the color balance.  Bringing some new techniques, software, and a better-trained eye, I decided to take another run at processing the image today.  Most of the work was performed in Light Room 2.5 with some tweaking in PS4.  Even with all of this, the image would be very challenging to print well as the intensity of the color and light are difficult to translate from the monitor to the printer.  I have added no saturation to the image at all...like I said...it was intense.  I love the image for what it does for me...recalling an incredible moment in time of intense light at a beautiful location.  Enjoy the image and prepare for your next moment of intense light in the landscape.  Take care. 

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Art Commentary Jeff Ball Art Commentary Jeff Ball

If accumulating bad photos means anything...

I have read references to some insight by Ansel Adams about not being a good photographer until you have taken enough bad images.  I think he also said that 12 quality images a year is a good crop.  The website "redo" has provided an opportunity for me to step back and really evaluate what are "good" images.  The process is not entirely pure as my bias has many influences that don't necessarily have anything to do with the quality of the image.  One strong bias is the difficulty in either acquiring the image or in processing the image.  The harder one works on acquring or processing an image the more likely that image is going to make it into the portfolio.  On the relaunch of my website I have thrown out some images that have taken many hours of my time to get just right.  Upon further review these images simply don't reflect my artistic presentation style or meet my quality standards.  This is a good thing!  I am now embracing the current tag line "less is more" when it comes to portfolio construction and web presentations.  I hope you enjoy the images in the gallery so far and I look forward to adding quality images to the collection over the next few months.  Take care and Happy Thanksgiving. 

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Jeff Ball Jeff Ball

New website coming along

Hello all,

I am well on my way to testing and implementing an entirely new website presentation.  This is my first day working with the interface and I have to say I am very pleased so far.  The host is squarespace and what makes it interesting is the ease of use and customizability of the web presentation.  If you are reading this you are just seeing the beginning shell of the site.  Many features have yet to be turned on.  I will keep you updated over the next few weeks as to how the site is coming along.  Thanks for your patience and have a great Thanksgiving in the U.S. 

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The Herschel 400 Astronomical League Project is underway

It’s not too late to join. We are about 30 objects into the Herschel 400. Hope to get another session in soon. Please subscribe to the YouTube channel so you get notifications on LIVE STREAMS.

Angels in Monoceros: The Monoceros M2 Complex

The Monoceros R2 molecular complex (often shortened to Mon R2) is a massive giant molecular cloud and one of the nearest active star-forming regions to Earth. It's a dynamic stellar nursery embedded in dense gas and dust, where new stars—particularly massive ones—are actively being born.

Key Facts

  • Location: Southwestern part of the constellation Monoceros (the Unicorn), near the border with Orion. It's part of the larger Orion-Monoceros cloud complex.

  • Distance: Approximately 2,400–2,700 light-years (around 830 parsecs).

  • Size and Structure: The main dense core is relatively compact (a few light-years across), but the overall molecular cloud and associated nebulae span a wide area—reflection nebulae alone stretch up to about 2° in the sky. It's situated well below the galactic plane, which makes it stand out in certain observations.

  • Age and Activity: Star formation here began roughly 6–10 million years ago. It hosts an OB association (young, hot, massive B- and A-type stars) that illuminates surrounding dust, creating prominent reflection nebulae with bluish hues. There's also significant emission from ionized gas (red glows) and dark nebulae that appear as shadowy silhouettes blocking background light.

  • Notable Features:

    • A central hub of massive star formation with embedded clusters, molecular outflows, and HII regions.

    • Infrared observations (like those from VISTA or 2MASS) penetrate the dust to reveal hidden young stars and protoplanetary disks.

    • It's a key site for studying early stellar evolution, variability in young stellar objects (YSOs), and the interplay between massive stars and their natal clouds.

The most famous and photogenic part of Mon R2 is the region around NGC 2170 (the Angel Nebula), a striking reflection nebula with wing-like dust structures, glowing blue from scattered starlight, mixed with red emission and dark lanes. Wider views of the complex reveal a richer tapestry of colorful gas, dust filaments, and star clusters.

Credit: GROK 2/28/26

Click on image for larger view.

Link for image acquisition details at Astrobin

New Astro Camera: OM-3

Join me for a LIVE conversation about this new astro camera coming to the market. Is this the best option for you? How does it compare to other options? https://www.earthandskyphoto.com Correction: when discussing Bulb mode with Canon, I incorrectly said it had a limit of 30”. I meant to say manual exposure has a max of 30”. In bulb, you need to use a remote control or app for exposure time control. The problem is you can’t set exposure time for stills in the camera menu. I was made aware that Olympus no longer owns the OM system. It is owned by Japanese industrial Partners, a private equity firm. For content on the OM-3 for astrophotography, please see Ben Chapell’s Narrow Band channel. https://youtube.com/@TheNarrowbandChannel?si=GcWY-BM9skG9LPhY

Jeff's Blog

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